Les Camps de l'Horreur Nazie

Indisciplinado. Historia de un proyecto político

¿Qué pasó con Yugoslavia?. El engaño de nuestra vida

After forty years of fighting Moscow, Washington won the Cold War, and NATO found a way to expand eastward; however, there was one loose end to the problem: Yugoslavia was not a satellite of the USSR…

De la Quadra-Salcedo: El reportero que quisimos ser

Behind Closed Doors

In 1968, Brazil’s military government convened the National Security Council to enact Institutional Act No. 5, ushering in the most violent period of the dictatorship. The meeting was recorded, but remained secret for decades. The filmmakers delved into the archives and now reveal the recordings.

La memoria del arpón

El sueño del oro negro

Fuimos revolución. 10 de junio de 1971

Medicina 70

Ciclos Perucha

Estátuas Não Falam

Adam Resurrected

After again attempting to commit murder, a Jewish man with a mysterious past and extraordinary intelligence, charisma, and body control returns to an insane asylum, where he makes a startling discovery.

A Story of Vengeance

Franco, who was a loving family man turns into a nightmarish thug to hunt down his daughter's abuser. What at first seemed like an act of justice by his own hand was lost in a twisted personal revenge that will take Franco over the limit.

Olympia: Part Two – Festival of Beauty

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Madonna - The Real Story

The unauthorized video documentary

Spies of Mississippi

Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.

Meeting Sebastião Salgado

Part activist and part globe trekking photographer, Sebastião Salgado is most famous for recording the migration of people and culture around the world. In this extensive conversation, Sebastiao Salgado revisits his adventurous career via the breathtaking images he captured.

The Sid Caesar Collection: The Magic of Live TV

One of the greatest comedians of early television, Sid Caesar hasn't had his work shown in perennial reruns, so it's especially gratifying to see a collection of his classic sketches released on video, with Caesar himself introducing the material. Besides being a truly gifted comic, Caesar benefited from having some brilliant supporting players, including Carl Reiner, Imogene Coca, and Nanette Fabray. Some of his illustrious writers, including Neil Simon, Woody Allen, and Mel Brooks, appear in interviews setting up the sketches. The sketches themselves include some all-time classics such as Caesar and company playing the figurines populating a medieval town clock (a brilliant bit partly written by Neil Simon and his brother, Danny, who reminisce after the sketch).

Prater

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.