Sandra Regina Palmieri
as Sandra Regina Palmieri
José Luis Duarte
as José Luis Duarte
In a hidden workshop, surrounded by water and vegetation, a group of craftspeople live together with the statues they restore, silent spectators of a discreet battle against the inclemency of time and oblivion.
After forty years of fighting Moscow, Washington won the Cold War, and NATO found a way to expand eastward; however, there was one loose end to the problem: Yugoslavia was not a satellite of the USSR…
In 1968, Brazil’s military government convened the National Security Council to enact Institutional Act No. 5, ushering in the most violent period of the dictatorship. The meeting was recorded, but remained secret for decades. The filmmakers delved into the archives and now reveal the recordings.
Franco, who was a loving family man turns into a nightmarish thug to hunt down his daughter's abuser. What at first seemed like an act of justice by his own hand was lost in a twisted personal revenge that will take Franco over the limit.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Louis Ortiz, a down on his luck 40-something Puerto Rican resident of the Bronx, looks in the mirror one day and believes he’s found gold—he’s a dead ringer for Barack Obama. With visions of finally living the American Dream, the charismatic Ortiz launches a complete makeover. He dons Obama’s trademark suit, adopts his mannerisms, mimics his voice and steps out onto the street as a presidential impersonator. Taken on by a casting agent, Ortiz and a gang of other political impersonators, including a Bill Clinton and a Mitt Romney, hit the road during the run-up to the 2012 presidential election to perform satirical debates for mostly Republican conventions, throwing Ortiz into conflict with his personal political beliefs. As Ortiz struggles to make ends meet, the distance between the White House and the Bronx becomes increasingly acute. The life of a president isn’t always as easy as it looks.
Successful British band Japan filmed live in concert at the Hammersmith Odeon, London on 16th November 1982.
The film explores the journeys and philosophies of a select group of experimental musicians including Keith Rowe, Evan Parker, Eddie Prevost, Otomo Yoshihide, Toshimaru Nakamura and Christian Fennesz.
