PARDONS OF INNOCENCE: THE WILMINGTON TEN

The Tulsa Lynching of 1921: A Hidden Story

Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.

Geraldine Ferraro: Paving The Way

A documentary by Donna Zaccaro about the political trailblazer, Geralidine Ferraro. Featuring interviews with Bill and Hillary Clinton, George and Barbara Bush, Walter Mondale, and Geraldine Ferraro herself, among others, this is a heartwarming and engrossing portrait of the first woman who was nominated for vice president, whose legacy still reverberates today.

Hoxsey: When Healing Becomes a Crime

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.

Qatar, une dynastie à la conquête du monde

For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Couch Man

In Asheville, NC, five individuals find their place in longboard world. This is an action documentary crafted with a broad audience in mind, appealing to more than just the downhill community.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In Fact, There is not Future

Documentary about young people who are dedicated to cleaning windshields in Ciudad Nezahualcóyotl to survive.

La vie au temps de Cro-Magnon

The Venerable W.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

The Aryans

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

Happy Pills

A journey through six different countries and characters into a world where chemistry is the ultimate response to human pursuits of well-being.

Le Fils

Whatever Happened To Green Valley?

Green Valley was a housing commission estate in western Sydney, much maligned by the media of the day. The residents were hurt by the criticism but lacked access to the media to respond. Supplied with equipment by Film Australia, they used this film to present a different image of themselves and their daily lives. In so doing, they answered the question of "Whatever happened to Green Valley?" The core of this film is the work of half a dozen residents, co-ordinated by acclaimed filmmaker Peter Weir in one of his earliest film projects. Weir also acts as the moderator at a public forum that is included in the film.

Our Time

America has questions about today's youth, what we care about, and where we're headed. We had those questions too. So, after graduating college, four of us loaded an RV and embarked on a journey looking for answers. We traveled to all of the lower 48 states, talking to our peers about growing up, 9/11, race, the Internet, careers, sex, love, and the American Dream. Along the way, we met a wide cross-section of young Americans, ranging from a cancer researcher in Boston to a drug dealer in New Mexico, from an Iraq veteran in Florida to the founder of Facebook in Silicon Valley. The film ultimately leads to the recent historic election, where our generation finally stands up to make its voice heard. OUR TIME is a passionate portrayal of a generation, a meditation on coming of age in 21st-century America, and a rallying cry against apathy.

Kids On Ice

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

Common People

Three strangers immersed in the world of camming come together to discuss its impact on young people. But their views are radically different. While one sees it as a respectable trade full of dedicated and liberated women, another sees it as a direct exploitation of the male libido. The third sees it as a haven for lonely people like himself to reconnect with the intimacy that’s missing from their lives. What they don’t know is that they all have one person in common – and she’s watching the conversation from the next room. Bex is a curvy cam model, and she’s witnessing their unfiltered feelings about her and the industry unfold. Filled with passionate debates, disagreements, humour and revelation, will our common people unite? Or will their revelations polarise them further?

La Historia Enterrada

Aqui Favela, o Rap Representa