In the majestic tropical island of Palawan, three environmental crusaders confront murder, betrayal and political corruption in this thrilling documentary about land defenders battling to save and preserve paradise in the Philippines.
Brings us into the lives of three Latinx people in McAllen Texas, whose different beliefs end up coming to a head at the last abortion clinic in the US/Mexico border.
A Mexican-American teenage farmworker dreams of graduating high school, when ICE raids in her community threaten to separate her family and force her to become her family’s breadwinner.
He calls himself Catman. Christian lives with his two cats Marmelade and Katjuscha. They are inseparable. As he yearns to become a father, he has his beloved Marmelade fertilized by an exclusive tomcat abroad.
Documentary looking at the culture of three motels and their owners who remain untouched by homogenization and corporatism, located in Santa Fe, New Mexico; Florence, Arizona; and the semi-ghost town of Death Valley Junction, California. Everyone has an unusual story to tell.
Examines how the Immigration and Naturalization Service decides who will be granted asylum in the United States. The applicant must have a "well-founded fear" of persecution in his or her home country. Despite true and terrifying stories of torture and mistreatment, it's often up to how well the translator presents the case and how sensitive are the ears of the asylum officer to decide a person's fate.
Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.
Hurricane María abated, the news crews packed up and left Puerto Rico, and the interest of the international community turned elsewhere. What happened next?
Using over 100 years of archival footage, director Sierra Pettengill explores the history of the largest Confederate monument, Georgia’s Stone Mountain.
A tragi-comical drama, whose protagonist is no other than a young cock, unfolds in a Mumbai apartment just like thousands of others. Grabbed by an eccentric patriarch to serve as a distraction for the family cat, the chick survived, grew up and now imposes his troublesome presence on everyone, tyrannising the entire household
CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995. Pushing beyond the mainstream media's fascination with her violent death, Portillo interviews Selena's family and friends as well as the devoted fans that pilgrimage to Selena's grave in Corpus Christi, Texas, to pay homage to the slain star. Moving and provocative, this humble investigative portrait explores Selena's cultural significance as a pop icon and shines a light on the hopes, fantasies, fears, and realities of young Latinas today.
A rag-tag group of undocumented youth – Dreamers – deliberately get detained by Border Patrol in order to infiltrate a shadowy, for-profit detention center.
Filmmaker Nadine Natour turns her lens on her parents and her hometown, Appomattox, VA, to capture the story of her parents' emigration from Palestine to the United States. An uplifting, layered and often funny portrait of Palestinian Muslim immigrants Gehad and Sabah Natour, as the success of their popular grocery store defies xenophobia in the conservative rural town where the Civil War ended.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
This heartwarming and at times touching documentary chronicles the preparation, experience, and aftermath of the University of Nebraska at Omaha's Black Studies Department, students, and community persons as they embark upon the inauguration of President Barack Obama. A mixture of cinema verity and interview, this documentary provides an eyewitness accounting of the event through emerging primary stories representative of a broad array of cultural and occupational backgrounds. It is the cinematic documentation of the joy, the laughter, and the tears as 55 passengers board a bus and travel over 2,000 miles for an experience of a lifetime.
“The Fallbrook Story,” is a 20-minute film of Cold War-era uneasiness in which director Frank Capra rails against what he calls the evils of Big Bureaucracy. In 1951, Capra lived in Fallbrook, California on his 1,000-acre Red Mountain Ranch farm filled with olive groves. The federal government, which had purchased the old Rancho Santa Margarita land in 1941 to build Camp Pendleton, was concerned that ranchers upstream would take or pollute the Santa Margarita River, which ran through Camp Pendleton. Capra’s film documents how Fallbrook residents fought back against the federal government.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1939.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1940.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1942.