The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity
Zoey Glass
as as Herself
Greyson Armstrong
Hero Foltz
as as Himself
Caught in the web of inner city violence, extortion and drugs, Dean Costello is a small-time gangster with big-time dreams for himself and his autistic son, Shane. When his marriage to Ludy falls apart the doctors tell Dean that there is no hope for his son, he turns to a wealthy child psychologist, Stephanie "Stevie" Bloom in a final effort to reach Shane. Stevie tries to convince Dean that he must commit himself to Shane and leave behind his life on the streets. But Dean's violent world continues to haunt him, and threatens to destroy the dreams he has for his son, for himself, and for Stevie. In a final battle, he must face overwhelming odds... alone.
The city is gasping for air in the scorching summer heat; everyone is under suspicion; a persistent detective superintendent is burrowing for the truth. A fiercely penetrating drama about a mother's love for her autistic adult son, who is suspected of murdering a local girl. The mother knows her son could have committed the murder, but she conceals her knowledge, and gradually becomes entangled in a thicket of lies. How far is she prepared to go to protect her son who is helpless in so many ways? Does she have it within her to give up the only person she loves?
Daiki has autism spectrum disorder, and his sister Nozomi has supported him since childhood. Having lost their mother at a young age, the siblings distanced themselves from their neglectful father and have lived their lives diligently together
A mentally ill young woman finds her love in an eccentric man who models himself after Buster Keaton.
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.
Jessica, a young carer, and her mum, who is deeply paranoid and who sees and hears unexplained things have a strong and loving relationship. But the misfit relationship they have brings many challenges they struggle to overcome. The mum's deterioration in her mental health causes her to be sectioned, leaving Jessica lost in her life.
A small nick from the page of her book would take a young girl on a journey through time and space.
In a remote woodland cabin, a small town doctor discovers Nell — a beautiful young hermit woman with many secrets.
A mother travels to Patagonia with her autistic son with the hope that a ranger and a pod of wild orcas can help him find an emotional connection.
While the debate continues about GMOs, Roundup and other toxic pesticides, this powerful film shares remarkable stories of people who regain their health after discovering the secret ingredients in their food and making a bold commitment to avoid them.
A young couple is overjoyed when they find out that, after having had two girls, the wife is pregnant again, and this time it will be a son. However, the boy turns out to autistic. Unhappy with the diagnoses and treatments available, they decide to work out their own therapy program for their son.
When adults are ineffectual, children have to grow up quickly. Ola is 14 and she takes care of her dysfunctional father, autistic brother and a mother who lives apart from them and is mainly heard the phone. Most of all she wants to reunite a family that simply doesn’t work — like a defective TV set. She lives in the hope of bringing her mother back home. Her 13 year old brother Nikodem’s Holy Communion is a pretext for the family to meet up. Ola is entirely responsible for preparing the perfect family celebration. “Communion” reveals the beauty of the rejected, the strength of the weak and the need for change when change seems impossible. This crash course in growing up teaches us that failure is not final. Especially when love is in question.
Harassed by bullies because of his mild autism, teen Ben finds refuge in an online computer game, which leads him to his virtual dream girl, Scarlite. Together, the odd couple seeks revenge against Ben's tormentors.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
The mental unraveling of Rowen, a religious leader faced with questions of identity and meaning as a prophesied revelation approaches.
An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.
Though her marriage with rich businessman Chan Hak-lit is crumbling, Anna Poon refuses to accept her childhood sweetheart Wong Kei-shu's courtship. Anna's younger sister Mei-na has a crush on Shu and treats Lee Man coldly. When she sees Anna being with Shu, she taunts Anna with stealing who she likes. Anna is hurt and goes back to Chan's house. Chan holds a house party and invites business celebrities. Shu attends it and when tells Anna he loves her when they dance. Anna rejects him and tells him never to see her again. Chan goes to the racecourse. When Shu falls down from a horse, Anna faints. Chan asks Anna what her relationship with Shu is. He warns her not to have any wrongdoing and ruin his reputation. Shu is fine and asks Anna to meet for the last time. Anna cannot turn down him and goes to meets him. Lit miscomprehends the situation and files a divorce. He even forbids Anna to see their daughter. A distressed Anna becomes a victim of love in a conservative society.
