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Traces: The Kabul Museum 1988

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

We're Fine

Two and a half years after the start of the full-scale invasion, Ukrainian artists and volunteers are heading to Burning Man to create a large-scale installation. Using road signs from deoccupied territories, they spell out the phrase "I'M FINE" — a symbol of how people hide their pain and try to persevere despite the circumstances. The sculpture becomes a place for meeting, reflection, and dialogue about war, trauma, and the strength of the Ukrainian spirit, demonstrating how art can become a platform for open conversation about painful experiences.

21 rue la Boétie

The Mona Lisa Myth

Baraka

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Altamira: el origen del arte

A documentary to 'rediscover' the so called Sistine Chapel of Rock Art and to tell the story of the discovery of a cave and some paintings that astonished the world 138 years ago. Filming this documentary lead its director, José Luis López Linares, through many rock caves around the world, grasping information about the life of the Magdalenian man -who lived twenty thousand years ago- and about an art form, the paintings, that make Altamira "the Prado museum of prehistory".

Post New Bills: The Story of Green Patriot Posters

A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).

PosSession of the Spirit

Filmmaker Herbert Alfonso and musician Glenn de Randamie travel to Ghana to do some research on polyrhythm and the West-African spirituality. However, their trip to The Motherland makes them realize that home is more than the place where they grew up. Years later, they recollect their faded memories and try to find the right words to describe their intense experience. What exactly made them feel at home and lost at the same time? What does being home actually mean for a black individual from Europe while visiting Africa? Only abstractions seem to persevere as this colourful and musically-charged collage serves to show how a life-changing experience can leave us with nothing but fragments of a truth that has yet to be discovered.

Di Vento e Di Voci

Raphael: The Lord of the Arts

Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.

Migrant Fish

A documentary short that uses fish to explore identity and belonging in a metropolis.

Greer Ralston – Giving It All To Art

An intimate portrait of figurative artist Greer Ralston as she astonishes us with her exceptional talent and tells of her plans to devote herself solely to art.

Elizabeth Murray: 4 Decades

"Elizabeth Murray: 4 Decades" tracks the artist's career and shows her moving forward fearlessly toward new shapes and concepts for her unique style of painting. Inspired by artists of the Abstract Expressionism movement such as Willem de Kooning and Philip Guston, Murray was privy to their technique and motive. Though she may share ideals with her artistic predecessors, Murray has created miraculously original work which she discusses with curator Robert Storr as they explore her MoMA retrospective.

Art in an Age of Mass Culture

Art in an Age of Mass Culture pulls back the curtain and takes a look at the cultural climate surrounding MoMA's now famed exhibition, "High and Low: High Art and Popular Culture". Opening in the fall of 1990, the show placed a spotlight on the rapid merging of consumerism and the artistic avant-garde. Curated by Kirk Varnedoe and Adam Gopnik and featuring work from artists such as Jeff Koons and Roy Lichtenstein, "High and Low" ignites conversations of mass culture and our society's ever-changing relationship with the arts.

Artpark People

Encouraging visitors to engage and connect with on site artist's, Artpark provides a unique environment for those craving culture away from the whirring city. Located in Lewiston, New York the outdoor venue opens itself to artists, musicians and performers seeking a spot to reflect and create. During the summer seasons Artpark serves as an immersive experience, inviting the public to observe the artists as they work. Artpark People observes the vibrant scene and captures candid interactions between artist and onlookers. With a heavy emphasis on outdoor space and environmental influence, Artpark asserts itself as a cultural and communal haven for creatives.

Hebrews to Negroes: Wake Up Black America

The Movie "Hebrews to Negroes: Wake Up Black America" uncovers the true identity of the Children of Israel by proving the true ethnicity of Abraham, Ishmael, Isaac, Jacob, the Sons of Ham, Shem & Japheth. Find out what Islam, Judaism and Christianity has covered up for centuries in regards to the true biblical identity of the so-called "Negro" in this movie packed with tons of research.

The Art of Incarceration

Narrated by Uncle Jack Charles and seen through the eyes of Indigenous prisoners at Victoria’s Fulham Correctional Centre, this documentary explores how art and culture can empower Australia's First Nations people to transcend their unjust cycles of imprisonment.