Just before the launch of artificial moons, a retired couple finds their harbor in the fading darkness. Trying to catch up with the pace of modernity, their daily life traces this forthcoming brightness back to its earthly origins.
Startups are using AI to create avatars that allow relatives to talk with their loved ones after they have died. An exploration of a profound human desire and the consequences of turning the dream of immortality into a product.
What happens when we meet in the street? Suddenly, mistakenly, intimately. Estranged, rushed, too much, too little, too late. Smiles, small talk, and promises.
Shadowlands is an animated short film about darkness that won't let go. About the constant fear that something terrible might happen. It describes a journey into the inner world and psyche of a young person in distress, a world far from "normal".
A college student searches for justice after she discovers deepfake pornography of herself circulating online.
How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.
What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
In the spring of 2010, Julian Assange published classified documents that shed a harsh light on the war crimes committed by the United States in Afghanistan and Iraq.
The film tackles the theme of the invasion of machines around us. With the advent of artificial intelligence, people are concerned about the increasing autonomous capabilities of technology. Have we passed the tipping point, and have machines become too powerful to be controlled by humans? While legitimate, these fears conceal the real danger. Beyond technological objects, the machine has infiltrated our very being, our way of thinking and seeing the world.
Director Dominique Leclerc spent years depending on medical devices for her survival. Then, looking for alternative solutions, she entered the world of emerging technologies. Posthumans follows her as she meets with cyborgs, biohackers, and transhumanists who are trying to use these technologies to outsmart illness, aging—and even death. The documentary looks at pressing ethical and political questions that are sure to impact the future of our species.
A blend of drama and documentary, this film follows several people caught up in the turmoil of the modern world. The drama centres on a woman who has burned out and who holds up her own despair – and her attempts to rebuild her life – as a mirror to the rest of us. With a blend of gravity and humour, Sylvie Groulx's film shows the absurdity of a society dedicated to the cult of speed at all costs.
My reason for why people should leave TRTF alone, and let it rest. The facts, experience, what has been done, and why having other people making it won't be the same.
A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone
Exploring the transformative impact of artificial intelligence in an industry of imagination, “ARTIFICIAL: Media Production in an Age of AI” delves into how AI tools are currently revolutionizing various stages of media production and examines the balance between technological advancement and human creativity, attempting to spark conversation about the future of storytelling in an age of progress. It also addresses the possibility of government regulation and the broader ethical concerns implicit in the immense capabilities of AI technology. The documentary integrates extensive research, survey results, and insightful interviews with industry professionals.
Provides an insider's view of the groundbreaking, outrageous, creative juggernaut that was the band Ministry - during their world tour - as front man Al Jourgensen slips into drug addiction. Ministry made industrial rock mainstream, and along the way their music and take no prisoners lifestyle influenced the leaders of today's most important bands, many of whom are in the film.
Glittering illusions of vectorized providence struggle to guide the viewer toward a path of re-enchantment.
Brothers Erik and Sigvard live by old traditions - they grow their own food and bake their own bread. The only time they leave their family farm is to buy tobacco and to see the king and queen visit Växjö, but they once biked to nearby Gislaved.